Tuesday 8 May 2012






 Onsite exploring how the chains of tatting hang in the space. 'Ghostly' isn't what I'm trying to achieve here, rather a sensitivity, and a sense of the lines which penetrate the building, a trajectory downwards through the space, resembling chains, white like flour, blossom or snowflakes falling...


Microscopic camera lets me look closely at the twist of the fibres, the delicacy of the knotting.